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blogcutter) wrote2025-07-06 01:16 pm
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Saturday Date
After a long spell of dealing with a multitude of grown-up / homeowner problems, Dianora and I decided to take a break.
We went downtown to the National Gallery. We shared a brie-and-pear pizza at The Tavern, the Gallery's outdoor patio restaurant. Then we went inside to look at the Erica Rutherford exhibit:
https://www.gallery.ca/whats-on/calendar/erica-rutherford-her-lives-and-works-in-print
Definitely my kind of art! She was a cat person too, and her more whimsical works brought to mind the work of Maud Lewis, another artist I'm fond of. There were some paintings illustrating Edward Lear's The Owl and the Pussycat. Also works depicting Rutherford's own cats, especially Talia, who also became a nom de plume (or perhaps nom de brosse?) for some of her works.
Sadly, I couldn't look at her works in print, as the Gallery's Library is only open from Monday to Friday.
More on Erica Rutherford:
https://en.wikipedia.org/wiki/Erica_Rutherford
While I knew before going to see the exhibit that Erica Rutherford was a trans woman, what I hadn't realized beforehand was that she was the author of a memoir entitled Nine Lives, which I bought soon after its release in 1993, published by Ragweed Press in Charlottetown, Prince Edward Island.
I read the book then and have started re-reading it more than 30 years later.
A few details had stuck in my mind. I've read quite a few memoirs and biographies of trans folk over the years: Jan Morris, Renée Richards, Christine Jorgensen, even Hedy Jo Star, whose memoir I picked up at Coles for 22 cents when I was still in my teens and had no idea of the impact that phenomena like gender dysphoria would have on me, my family, my friends or society as a whole. I don't know what happened to that book but I found this reference online:
https://zagria.blogspot.com/2012/01/hedy-jo-star-1920-1999-showgirl.html
But anyway, I recall that Nine Lives was one of the first, perhaps THE first such memoir I read where I could strongly relate to the memoirist and her experience. The other authors, while interesting to read about, felt pretty far from my frame of reference.
After leaving the art gallery, we proceeded along Sussex Drive to the Bruyere Convent Chapel for our first Music and Beyond concert:
https://musicandbeyond.ca/event/triumphi-muliebris/
The performers were the Caelis Academy Ensemble (choir and soloists) and Les Temps perdus playing period instruments. The 17th century women composers featured were:
Rafaella Aleotti (1575-1620)
Maria Xaveria Perucona (1652-1709)
Antonia Bembo (1640-1720)
Isabella Leonarda (1620-1704)
The only one of those composers I had heard of before was Isabella Leonarda. And that's a shame.
All in all, the roughly 90-minute concert was a wonderful ending to an enjoyable day out - about the only downsides were the lack of air-conditioning and the not-so-comfortable seating.
Oh, and in case you're wondering why I gave this post the title "Saturday Date" - it was a teen-oriented show we used to get on our local TV channel:
https://www.ottawalife.com/article/back-when-every-night-was-saturday-night/
We went downtown to the National Gallery. We shared a brie-and-pear pizza at The Tavern, the Gallery's outdoor patio restaurant. Then we went inside to look at the Erica Rutherford exhibit:
https://www.gallery.ca/whats-on/calendar/erica-rutherford-her-lives-and-works-in-print
Definitely my kind of art! She was a cat person too, and her more whimsical works brought to mind the work of Maud Lewis, another artist I'm fond of. There were some paintings illustrating Edward Lear's The Owl and the Pussycat. Also works depicting Rutherford's own cats, especially Talia, who also became a nom de plume (or perhaps nom de brosse?) for some of her works.
Sadly, I couldn't look at her works in print, as the Gallery's Library is only open from Monday to Friday.
More on Erica Rutherford:
https://en.wikipedia.org/wiki/Erica_Rutherford
While I knew before going to see the exhibit that Erica Rutherford was a trans woman, what I hadn't realized beforehand was that she was the author of a memoir entitled Nine Lives, which I bought soon after its release in 1993, published by Ragweed Press in Charlottetown, Prince Edward Island.
I read the book then and have started re-reading it more than 30 years later.
A few details had stuck in my mind. I've read quite a few memoirs and biographies of trans folk over the years: Jan Morris, Renée Richards, Christine Jorgensen, even Hedy Jo Star, whose memoir I picked up at Coles for 22 cents when I was still in my teens and had no idea of the impact that phenomena like gender dysphoria would have on me, my family, my friends or society as a whole. I don't know what happened to that book but I found this reference online:
https://zagria.blogspot.com/2012/01/hedy-jo-star-1920-1999-showgirl.html
But anyway, I recall that Nine Lives was one of the first, perhaps THE first such memoir I read where I could strongly relate to the memoirist and her experience. The other authors, while interesting to read about, felt pretty far from my frame of reference.
After leaving the art gallery, we proceeded along Sussex Drive to the Bruyere Convent Chapel for our first Music and Beyond concert:
https://musicandbeyond.ca/event/triumphi-muliebris/
The performers were the Caelis Academy Ensemble (choir and soloists) and Les Temps perdus playing period instruments. The 17th century women composers featured were:
Rafaella Aleotti (1575-1620)
Maria Xaveria Perucona (1652-1709)
Antonia Bembo (1640-1720)
Isabella Leonarda (1620-1704)
The only one of those composers I had heard of before was Isabella Leonarda. And that's a shame.
All in all, the roughly 90-minute concert was a wonderful ending to an enjoyable day out - about the only downsides were the lack of air-conditioning and the not-so-comfortable seating.
Oh, and in case you're wondering why I gave this post the title "Saturday Date" - it was a teen-oriented show we used to get on our local TV channel:
https://www.ottawalife.com/article/back-when-every-night-was-saturday-night/